Still, there is a point to be made about Hollywood’s unremitting insistence on typecasting homosexuals-particularly lesbians-as twisted and evil.”įamed feminist academic Camille Paglia argued against the protests and posited that Stone’s performance was “one of the great performances by a woman in screen history”, praising her character as “a great vamp figure, like Mona Lisa herself, like a pagan goddess”. Even esteemed film critic Roger Ebert, who had awarded the film a favourable review weighed in: “As for the allegedly offensive homosexual characters: The movie’s protesters might take note of the fact that this film’s heterosexuals, starting with Douglas, are equally offensive. It also contains what has been regarded as embedded homophobia, with depictions of graphic anti-homosexual violence thus gaining widespread fury from LGBTQIA+ groups upon release. It sheds light on the misogyny inherent to Hollywood and society in the ’90s. What might, at this point, sound like an attractive film to anyone who hasn’t seen it, the movie is actually highly problematic.
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